Wits University Press (Johannesburg)
Clifton Crais and Pamela Scully
8 October 2009
book review
Johannesburg — Finally, an authoritative account of the mythologized life of Sara Baartman. The meticulously researched subject comes to life in the hands of historians Crais and Scully, who skillfully negotiate the pitfalls of writing historical biography. The authors make a delicate distinction between the woman, Sara Baartman, and the iconic Hottentot Venus, in this elegantly written, passionate, compassionate, and carefully contextualized study, in which their findings are nevertheless unflinchingly presented. Magnificent – an outstanding contribution to South African culture, past and present.-Zoë Wicomb, author of You Can't Get Lost in Cape Town and David's Story
Sara Baartman and the Hottentot Venus offers the authoritative account of one woman's life and reinstates her to the full complexity of her history.
Displayed on European stages from 1810 to 1815 as the Hottentot Venus, Sara Baartman was one of the most famous women of her day, and also one of the least known. As the Hottentot Venus, she was seen by Westerners as alluring and primitive, a reflection of their fears and suppressed desires. But who was Sara Baartman? Who was the woman who became the Hottentot Venus? Based on research and interviews that span three continents, Sara Baartman and the Hottentot Venus tells the entwined histories of an elusive life and a famous icon. In doing so, the book raises questions about the possibilities and limits of biography for understanding those who live between and among different cultures.
WUP
Sara Baartman and the Hottentot Venus: A Ghost Story and a Biography
In reconstructing Baartman's life, the book traverses the South African frontier and its genocidal violence, cosmopolitan Cape Town, the ending of the slave trade, the Industrial Revolution, the French Revolution, the Napoleonic Wars, London and Parisian high society, and the rise of racial science. The authors discuss the ramifications of discovering that when Baartman went to London, she was older than originally assumed, and they explore the enduring impact of the Hottentot Venus on ideas about women, race, and sexuality. The book concludes with the politics involved in returning Baartman's remains to her home country, and connects Baartman's story to her descendants in nineteenth- and twentieth-century South Africa.
Clifton Crais is professor of history at Emory University. He is the author of The Politics of Evil. Pamela Scully is associate professor of women's studies and African studies at Emory University. She is the author of Liberating the Family?
978 186814 488 4 Hard cover, 235x155mm, 248pp, illustrated February 2009
With Princeton University Press
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