7 March 2019

Zimbabwe: DJ Levelz Speaks On 'Chillspot Fleecing Enzo'

Photo: Enzo Ishall/Instagram
Enzo Ishall.

Chillspot Records label producer, Rodger Kadzimwe affectionately known as DJ Levelz has responded to allegations that his stable is fleecing chart topping Zimdancehall musician Enzo Ishall, saying anyone is free to start a record label they feel will handle the artists better.

The report says Enzo's earnings are divided four-way between the artist and DJs, Levelz, Fantan and Ribhe who make up Chillspot Records.

"Patakavhura Chillspot tanga tiri two, vhura yako ubatsire vapfanha kana uchiona kuti varikuitwa rough, f***k you (None of you was there when we started Chillspot, open you own record label and help the young artists if you feel we are not treating them well)," says DJ Levelz in a post that he later deleted.

Observers had raised eyebrows after a contrast of Enzo to his producers' lifestyles. Despite belting a significant number of chart-busting singles, the Chiita Kwacho hitmaker is still a pedestrian while DJs, Levelz and Fantan are drivers of classy cars some of which were used in Enzo's latest video Muchiround.

The "Magate" singer is on record in one interview early this year calling for more artist support from the corporate world.

"You know in South Africa if you make one hit song you would have secured a lifetime fortune in money and assets. But, here, taking myself for example, despite making up to four hit songs I am still a pedestrian, I do not own a car.

"I would want to encourage the corporate world to invest in us the local artists because the talent is there all that is needed is support," bemoaned Enzo Ishall.


War Vets Spokesperson Defends Dabengwa Decision to Dump Zanu-PF

WAR veterans association spokesperson Douglas Mahiya has defended late Zapu leader Dumiso Dabengwa's decision to dump… Read more »

See What Everyone is Watching

Copyright © 2019 263Chat. All rights reserved. Distributed by AllAfrica Global Media (allAfrica.com). To contact the copyright holder directly for corrections — or for permission to republish or make other authorized use of this material, click here.