At 23, Goodness Sart is a graduate trainee, a sought-after event compère, and a primary provider. She will tell you none of it is easy. She will also tell you she would not have it any other way.
Goodness Sart is a recent salutatorian graduate of the University of Liberia, a graduate trainee at LonestarCell MTN
- She is, by any conventional measure, just getting started. Twenty-three years old. Graduate trainee. One year into a hosting career that is still finding its full shape.
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But watch how she walks into a room. Watch how she holds a microphone. Watch how she talks about her work, not with the hesitation of someone still figuring it out, but with the quiet authority of someone who decided, early, exactly what she was here to do.
Masefane Konneh contributed to this edition
Goodness Sart is not waiting for permission.
The Woman Behind the Microphone
Goodness Sart is a recent salutatorian graduate of the University of Liberia, a graduate trainee at LonestarCell MTN, and one of Monrovia's quietly rising event compères, the kind whose name circulates through corporate offices and church halls in the same week. She describes herself, with a precision that suggests she has thought hard about it, as a communications professional: someone who specializes in public speaking, event moderation, and creating engaging experiences both on stage and through media.
But behind the professional vocabulary is a simpler origin story.
"I always loved to talk," she says, allowing herself a small laugh. "So why not?"
That instinct, to talk, to connect, to hold a room, found its formal beginning in 2023, when she stepped into media work and began building what she now calls her brand as an event host. Corporate gatherings, gospel programs, social events: wherever an audience needed to be held and a message needed to land, she showed up. By 2025, she had added a second lane, joining LonestarCell MTN as a graduate trainee, learning the interior architecture of corporate communications, where strategy, structure, and institutional voice shape how an organization speaks to the world.
The two lanes might seem different, but for Sart, they run parallel. Both are about communication. Both require excellence. Both demand that you show up not just prepared, but present.
"It wasn't just about speaking," she says of those early days. "It was about representing, delivering excellence, and bringing real value to an audience."
"All I do, I owe to God," she says. "If I don't start my morning with God, that's me deciding to run the day myself, and I cannot do that."
The Morning as a Blueprint
Before any of that, though, there is the morning.
Every day, before Monrovia fully stirs, Sart is already at her desk, already in prayer, already mapping the hours ahead. It is not ritual for ritual's sake. It is, she will tell you plainly, the foundation on which everything else rests.
"All I do, I owe to God," she says. "If I don't start my morning with God, that's me deciding to run the day myself, and I cannot do that."
After prayer comes structure. She moves from reflection into planning with the kind of quiet discipline that does not announce itself but shapes everything around it. She reviews her to-do list -- tasks tied to her role at LonestarCell MTN sit alongside media engagements, hosting bookings, and content commitments. She triages. She maps.
"I prioritize what needs immediate attention and map out how I will execute my day efficiently," she explains. "So that by the end of the day, I can be confident that I have done well."
It is a routine that speaks to something deeper than productivity. In a city where young professionals routinely navigate unreliable structures, inconsistent power, stretched transportation, and institutions still finding their footing, the ability to create personal order becomes a survival skill. Sart has turned it into a practice.
"My mornings are about preparation, alignment, and making sure I show up focused and ready -- whatever role I'm stepping into that day."
The Gap She Decided to Fill
Sart did not stumble into communications work by accident or default. She arrived with a diagnosis.
"I realized there was a gap in how audiences were being engaged," she says, "especially in a way that is both impactful and authentic."
It is an observation that carries weight in the Liberian context. In a media landscape that is growing but still uneven, where event hosting can collapse into hollow ceremony, where brand communication often prioritizes volume over resonance, Sart identified something specific that she believed she could offer: authentic connection. Not just a voice that fills a room, but one that moves it.
"I am intentional about using my voice and my platform to inspire, inform, and connect with diverse individuals and audiences," she says, "particularly around personal development and faith-based initiatives."
That word, intentional, returns throughout every conversation with her. It is the logic that holds her two worlds together: the stage and the office, the spiritual and the professional, the personal brand and the corporate role.
On What Her Work Actually Does
Ask Sart how she sees her work in relation to Liberia's economy and she does not hesitate. She has thought about this, too.
"My work sits at the intersection of communication and media," she says. "Through my role at LonestarCell MTN, through my career as an event compère, through content creation, I help amplify brands, initiatives, and conversations that drive awareness and engagement."
She speaks about it with the clarity of someone who has connected the personal to the structural. When a business communicates effectively, she argues, it reaches the right audiences, attracts customers, gains visibility, and creates pathways for growth. And someone has to be the bridge between the idea and the audience.
"That is why I call myself a communications catalyst," she says. "I connect people to information, to platforms, and to opportunities that contribute to economic activity and development."
Beyond events and corporate work, she sees the media and communications sector itself as an underappreciated engine of opportunity, particularly for young people. "There are roles in content creation, production, digital marketing, events management, and brand strategy," she notes. "Many of these do not require financial capital -- just skill, creativity, and consistency. Just showing up."
It is, she believes, a path to a more inclusive economy. One where a young woman with a voice and a work ethic does not need to wait for a door to open from the inside.
The Weight of Responsibility
None of this floats free of reality.
Like many young Liberians balancing professional ambition with immediate household obligations, Sart carries dependents. She does not volunteer this detail with complaint, she offers it as context, as motivation, as the thing that sharpens the edges of her discipline.
"Yes, I do have dependents," she says. "And that motivates me to stay disciplined, focused, and consistent in my work."
Financial management, she explains, is not optional. It is a craft she has had to develop alongside everything else. "I plan and I budget wisely," she says. "And the beauty of media work is that you have to be strategic -- open to creating, teaching, building, and earning in multiple ways."
She pauses, then offers the kind of honesty that lives underneath ambition in this city: "It's not easy easy. But God is there."
It is a phrase most Liberians will understand in the marrow. The doubled adjective is a linguistic softening that acknowledges difficulty without surrendering to it. It is not despair. It is endurance spoken quietly.
Where She Is Going
In five to ten years, Sart sees herself leading a media and communications platform -- one with reach beyond Liberia's borders and a mandate that extends beyond profit. She speaks about mentorship with the same intentionality she brings to everything else, describing plans to guide young professionals with confidence through both media and corporate spaces.
For women specifically, her vision is structural as much as personal.
"I would like to see more equal opportunities, fair recognition, and platforms that amplify women's voices," she says. "Most importantly, a culture where women are supported, valued, and empowered to lead without bias."
It is not an abstract wish. It is the world she is, incrementally, building toward, one event, one broadcast, one mentored young woman at a time.
To the girls watching from the outside, wondering whether a voice like theirs can take them somewhere, her message is both straightforward and demanding.
"Believe in your voice. Be intentional. Never underestimate the power of preparation and consistency. Your impact is built one step at a time."
She is 23. She prays before sunrise. She budgets carefully, hosts with excellence, and shows up in prayer, in planning, in purpose with the kind of quiet discipline that the loudest careers are usually built on.
Goodness Sart is not waiting to be discovered. She is already building.
And she would tell you: she could not do it alone.